Television engineers have been using SMPTE timecode for about three decades now. It has facilitated electronic editing and the synchronization of a variety of video devices, to name just two benefits, ...

The better you understand the technology we dj with, the more empowered you are to fix problems and improve performance. Last week we published an article on fixing common timecode problems. This week ...

The post Employee Discovers That A Video Machine’s Timecode Is Off, But It Isn’t An Easy Problem And Takes A Couple Tries To ...

The Mutiny TC-A TIMECODE + AUDIO BREAKOUT is for mirrorless cameras like the Nikon ZR, Sony FX3, FX2, FX30, A7SIII, etc., that have a TRS Mic/Line-in audio jack. It allows you to use a Deity (A-OUT: ...

Deity has posted a nice video called Timecode for Multiple Cameras. The more cameras and devices you have on set, the greater the importance of making sure that you keep them in sync and organized, ...

The common assumption is that by feeding timecode to camera you will keep camera and sound in sync. Unfortunately this is not so, Timecode and Sync are not the same thing. Timecode is in fact only ...

Linear (or Longitudinal) Timecode (LTC) is an encoding of SMPTE timecode data in an audio signal, as defined in SMPTE 12M specification. The audio signal is commonly recorded on a VTR track or other ...

Welcome to Tool Tip Tuesday for Adobe Premiere Pro on ProVideo Coalition. Every week, we will share a new tooltip to save ...

Attempting to use the 'timecode' or 'timestamp' option of the drawtext filter does not seem to work. ffmpeg WASM indicates the following errors: [fferr] [drawtext @ 0x32c7540] Invalid 0xRRGGBB[AA] ...

Source timecode is important for a number of post-production workflows from being able to track down a specific place in a shot to being able to properly conform an offline for color correction. Final ...